Shimizu's movie, Two Masseurs and the Woman
Beautiful. Like Ford.
Still.
Simple emotions, affect spaces.
Erice's acordes -- often expressed in bursts of mise en scene.
Plot relegated, off-screen, to letters or clumsy dialog.
Brilliant use of ellipses -- scenes ending in the "wrong" place
Profound mono no aware feeling.
A forgotten genre -- the holiday picture.
CINEMA: SPACE AGE COLLAGE, TIRADES, THEORY, & CONFUSION
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